Thursday, May 31, 2012

It's Time For The Next Chapter: The Final "Chicago to DC POV" Post


Photo by Carl Weaver

Dear Friends, Family, and Readers:

I've been meaning to write this post for ages but I've finally gotten around to it. The Chicago to DC POV had a great run but it has now fallen to the wayside to make room for new and exciting projects.

Please feel free to peruse the archives. There's plenty of material from pop culture, to music, to baseball, to life, and the like.

If you're interested in my musical projects including my new full band album that's currently in-production then http://rachellevitinmusic.com is the place to check.

For everything else, please visit: http://about.me/RHLevitin.

It's sad to say good bye to this blog but the fact is it opened up so many opportunities and experiences for me as a person so I am grateful to my father for talking me into starting it my senior year of college, just before his passing. I most definitely wouldn't have done it without him and now it's led me to write for several outlets that I never would have thought manageable. It's because my dad talked me into making this blog while I was still in journalism school that I was able to harness my voice as a writer and continue to learn a craft I value greatly.

Thanks to everyone who's read the site and thanks for following me on my life's journey. Don't be a stranger! I'll see you down the road.

Best Always,

Rachel Hurley Levitin

Saturday, September 10, 2011

Thursday, July 28, 2011

Behind The Music: Writing "The Recession Blues"

Couldn't sleep tonight so I got started on a new song. Wrote this one on my ukulele after playing around with the chord progression for weeks. The music started out a bit faster-paced but I slowed it down. Once I got it to a tempo I liked, I realized that it - for whatever reason - reminded me of an old black and white film. From there, I got to thinking about The Great Depression which then reminded me of the news recently about the debt ceiling and all of the financial turmoil America seems to be in these days. So I wrote the following song (audio posted below the lyrics):

Money’s tight and times are tough

But we’ve got a roof over our heads

Working hard from nine to five

Induces some stress

But at the end of the day

We’ll come home to rest


What’s the use in complaining

Things could always be worse

There are people without the means we’ve got

Let’s make do with this here lot


So Uncle Sam’s got you down

What else is new, that’s the standard fare in this town

The news is depressin’

Especially in this here recession

But dust it off, don’t wear a frown


What’s the use in complaining

Things could always be worse

There are people without the means we’ve got

Let’s make do with this here lot


[Whistle solo goes here]


We’ve made it through wars

And other manic attacks

We’ve made it through the worst

We always make a comeback

There are people without the means we’ve got

Let’s make do with this here lot

Saturday, July 9, 2011

Nationals Buzz Post Round-Up: April through the All-Star Break

The 2011 MLB All-Star break is approaching and it got me thinking that this is a perfect time to round-up my freelance work from my guest blogging for MASNSports.com's Nationals Buzz this season.

My work for Nationals Buzz is part of a season-long initiative of welcoming guest bloggers to MASN Sports' "little corner of cyberspace," as managing editor Pete Kerzel likes to say.

I have to say that I am truly thankful for the opportunity I've had to write for MASN and being able share my thoughts on baseball in the District. I look forward to the rest of the season and can't wait to continue improving my baseball writing.

Once the second half of the season starts, the rotation of guest bloggers will change a bit and the format will switch to one post per week, per blogger as opposed to five posts in a week per blogger. So be on the lookout for posts from me on Wednesdays and definitely check out my colleagues on the other days! They're both insightful and entertaining.

Week 1


Week 2


Week 3


Week 4
Could patriotic Nats become America's Team?
Johnson holds Nats accountable with levity, pride
Unprompted responses create hopeful stadium buzz
Winning three of four vs. Cubs shows progress

Sunday, April 24, 2011

Coming Soon: The Song Book

Pictured top to bottom: My grandfather, me, and my bubbe in 2006.

My grandfather once told me that he was surprised at how thoughtful my lyrics appeared to be after he stumbled upon the CD jacket inside my first album's debut cover art.

He hadn't realized "the kinds of effort" I had put into crafting my words on top of composing an entire song.

Here's a little something for the masses: I am very proud of my lyrics. Sure -- I love zoning out with a guitar in hand and letting my emotions flow through the rhythms I play. I also love singing, on a stage or in my apartment ... or anywhere really, because that is my emotional release and adrenaline rush. But, my lyrics are the brain child behind the thrills of the stage or performing live.

My next project shouldn't be too daunting but it will take some time. Soon enough, I will have each and every one of my songs (that I feel are worthy) listed on my music site. This project is, of course, called "The Song Book".

Stay tuned for more details.

In the mean time, here's an "oldie" song from high school. I wrote it at the age of 16:


Saturday, April 23, 2011

Saturday Songwriting Session: "What Am I To You"

In case you can't read my scribblings -- which I don't expect you to be able to do since they are quite reminiscent of a doctor writing a prescription -- here's a translation:

He had been living
Rent free in my head
He hadn't paid a cent
And took me for all that I had

Unfocused and confused
I'm sick of playing by his rules
Big brown eyes that smile
Don't count as an excuse

There was a time
He'd make me weak in my knees
Rosie cheeks and a quick heart beat
He'd make it so damn hard to speak

Unfocused and confused
I'm sick of playing by his rules
Big brown eyes that smile
Don't count as an excuse

There's just one question
We've yet to review
What am I to you

You think I can't see
The way you look at me
If only I had a mirror installed
For every time that we continue to meet

Unfocused and confused
I'm sick of playing by your rules
Big brown eyes that smile
Don't count as an excuse

There's just one question
We've yet to review
What am I to you


Sunday, April 10, 2011

Sunday Night Demo - "Hold My Hand"



...it's not Hootie & the Blowfish. I promise. Although, "Hold My Hand" by Hootie & the Blowfish is a quality song. Hat tip to Darius Rucker.

I’m sick of being alone
But I pay my own rent
I'm painfully independent
But I’d like to take your hand

I’m reaching out now just to see
If your hand can just reach me
I’ll hold out just as long as I can
Won’t you hold my hand

Late night conversations
Are what I miss the most
I’ve still got the same couch
It feels like I’m sitting with ghosts

I’m reaching out now just to see
If your hand can just reach me
I’ll hold out just as long as I can
Won’t you hold my hand

A Chicago to DC Exclusive: Behind the Scenes at Trauma2Art

Sometime in the fall of 2010 I was approached via e-mail to see if I was interested in joining a couple of my fellow American University alumni in a writing project.The request for my contributions couldn't have come at a better time, really. This project was Trauma2Art.

Trauma2Art started out as the initial brain child of freelance writer Lauren Muscarella and has ballooned into a creative outlet for many individuals seeking solace due to the loss of a loved one.

Trauma2Art's message is simple: "Encourage creative expression from those who have experienced grief."

Thanks to Ms. Muscarella, Trauma2Art has enabled those who were crippled and confused after experiencing the immense grief that comes with loss to seek what they're feeling deep inside and expressing it in a forum full of people who truly understand.

On April 20, Trauma2Art will be hosting its first (of what we hope will be many) fundraisers in Washington, D.C. The event will be held at Coppi's Organic Restaurant on U St. starting at 6 p.m. and more details are available on the event's Facebook page.

*

The following question and answer session is an exclusive interview conducted by the Chicago to DC POV with Trauma2Art founder Lauren Muscarella (pictured on the left) and Trauma2Art contributor Tara Shlimowitz (pictured on the right) via e-mail.



Chi2DC: What prompted you to start the site? I know that your work on your personal blog MamaQuest had a a major influence on your work with grief and helping others dealing with grief.

Lauren: After I started MamaQuest.org, I had an overwhelming number of people reach out to tell me that the blog inspired them to start a journal. Another thing that happened was people started telling me about their own experiences. Everyone has such a unique perspective and it was obvious that there needed to be an outlet and forum to encourage this type of discussion.

Chi2DC: What prompted you (Tara) to join the site as a contributing writer? I know that you had known Lauren from school but what other factors aligned and enabled you to start working on this project?

Tara: Each time Lauren updated her blog, she would post a new link to her gchat status. I'd click through and read her posts, always thinking that it was so bold of her to openly talk about her feelings to the world. I've never been the type to just offer up such personal information. My outlet has always been writing, but I keep it to myself. I told Lauren how much I admired what she was doing, and then told her about my own experience with losing my father. She encouraged me to share my writing on her blog, and I always nicely declined, though deep down I wanted to but just didn't have the courage. Her strength was so inspiring that it led me to publish my first story about my father since a poem I wrote shortly after his death (it was published in a student anthology when I was 10).

Chi2DC: What is it about Trauma to Art that you feel helps bereaved individuals find a community? Or is the "end result" not a community but rather something else entirely?

L: Community development is a huge part of Trauma to Art. I think community development should be a part of everyone's business plan whether it's a non-profit or for-profit business. At its very core, Trauma to Art gives people who have experienced loss a forum to share their story. What I found from writing MamaQuest, which is true of Trauma to Art as well, is that the act of expressing yourself is equally as helpful as reading someone else's story. In one single act you help yourself and others. As far as community development goes, the start of our in-person meet-up groups will bring people together who normally would never have connected. The construct that brings people together essentially is grief but the bigger picture is advocating for expression as a powerful tool to cope with any hardship. Like Joan Didion said, "I write so I can learn what I think."

T: I agree with Lauren. It's very powerful to express yourself artistically and then have the courage and strength to share it with someone, anyone. T2A creates a forum where it's ok to express how you're feeling. Society doesn't really encourage grief. Immediately after trauma there is a "grieving period," but after that, that's what therapists are for. People feel awkward to be around someone who is grieving or talking about their loss after the nebulous grieving period is "over." You're supposed to hold it all in so that others don't feel uncomfortable. Heaven forbid you continue to express yourself in the most human way possible. But T2A is helping to diminish that taboo by providing a safe space for continued self-expression. There's something very human and also illuminating in sharing your feelings with others. The more people who realize that, the more acceptable it will be, and T2A is leading the way.

Chi2DC: (Lauren) Talk to me about this fundraiser. It's the organization's first fundraiser ever. It is a joint event. What gave you the idea for the fundraiser and why did you pick D.C. for its location?

L: Instinct. Even though I live in Massachusetts now many of the site's contributors and supporters live in D.C. After seven years of working and living in DC as well as going to American University, I amassed quite the family. There are so many people whom I love in D.C. So after I received my incorporation papers for Trauma to Art I naturally wanted to down to D.C. to have an event. Carlos, the owner of Coppi's, seemed like a good person to call because his restaurant has an amazing energy and he has experienced a great loss himself. In November 2009 his sister Nori Amaya was murdered in her apartment in NW D.C. When I called he told me her story would be on America's Most Wanted the following week. It just seemed like the perfect time to combine our causes. Getting the word out about Nori's case and having as many people as possible see her AMW is very important to me. Like you mentioned it's a joint event with half of the funds going to Trauma to Art and half of the funds going to The Nori Amaya Foundation, which supports women's self-defense.

Chi2DC: Many Trauma to Art contributors, myself and Tara included, live in D.C. How many are there? Next to D.C., what other cities are involved in the project?

L: Trauma to Art just started in November so it's growing every month. There is one other contributor in D.C., Amanda Heptinstall. She wrote an amazing piece about losing her best friend to suicide as a teen. Her story is so powerful. I feel honored to have worked with her on it. You can read it here In addition to what you see on the site, there are several other people in the D.C., throughout the U.S. and even in the U.K. who are currently working on pieces for Trauma to Art. A lot of people contact me about participating. I encourage everyone who contacts me, but I don't put deadlines on them. They come when they come. Everyone has their own individual creative process.

Chi2DC: Have you met any interesting people or heard any particular stories since joining up with Trauma to Art?

L: Yes! You! Since starting Trauma to Art I have become this available listeners. People approach me, email me, call me and share their stories. I feel so honored and grateful to play this role whenever I can. I don't feel its my place to tell those stories. I'm not sure I could do them justice. I encourage anyone who is curious to go onto http://trauma2art.com to read what is currently there. Tara's writing is great. Your writing is great. I'm inspired by everyone who has submitted a piece. The people who connect with me provide me with the fuel and inspiration to build Trauma to Art.

Chi2DC: If you could share any words of encouragement with someone going through a state of grief, whether that's the loss of a friend, family member, pet, etc., what's the one sentiment you would want to share with them the most?

L: I don't know if this is considered encouragement but I usually tell people the following: Accept that you'll make mistakes, commit to figuring out how to cope, love and respect the people who love you, be patient and over time you'll gain clarity. I tell people that writing and creating worked for me but I don't and will not push my ideas on anyone. People need to find out what works for them and if it happens to be Trauma to Art than I will be supportive and encouraging. The site and its writers, me included, are simply available resources.

T: My experience made me such a pessimist. I stopped believing in a lot of things. I was young, so I guess it just made me realize the harsh realities of life sooner than most people do. It's very difficult to lose someone close to you. Very difficult. But a loss should awaken you to those you still have around you. Kurt Vonnegut wrote that the "purpose of human life, no matter who is controlling it, is to love whoever is around to be loved." Take a step back and look at the people in your life who are most important to you. Love them. Appreciate them. And tell them that. You have nothing to lose and everything to gain.

Chi2DC: Trauma to Art has received a lot of attention in the grief community. Do you have any plans to take the site "up a notch" or to keep expanding its content?

L: The grief community has certainly made me feel welcome. The people in this industry are positive, supportive and inspiring for sure. As far as the site goes, like anything anyone works one, it needs to be evolving and updated constantly. I will be making some improvements to the site in the next few months. My biggest priority is making the information easy to find and the site easy to use. There is no need to overcomplicate it. It's a work in progress. As far as expanding the content, I will continue to work to raise awareness for the site. Like I mentioned, many people are currently working on projects and I don't push anyone to meet a specific deadline. I like to let nature takes its course.

Chi2DC: What is your ultimate goal for Trauma to Art as an organization?

T: I'd really like to see T2A take off. Where are the angel investors out there? I'd love for Lauren to get some funds to promote the organization, attract more contributors and eventually start community outreach/projects/programs. I'm helping Lauren in any way she asks -- editing, researching -- since this type of start-up requires lots of volunteer manpower. T2A has already done a lot for me, by showing me that I have the strength to be open about my experience. Since T2A unlocked that inside of me, I am happy to help in any way I can.

L: I have so many aspirations for Trauma to Art. To explain I have to back up about 13 years. This story was always in the back of my mind when I was working to bring the idea of Trauma to Art into fruition. My mother was diagnosed with breast cancer when I was 5 so the idea was pretty commonplace to me. As a kid I almost assumed everyone had a mum with cancer. When I was about 13, the mother of a girl I knew passed away from cancer. The girl was a few years older than me and she got into a lot of trouble after it happened. She started using drugs and hanging around with a bad crowd. I can't even explain how much this worried my mother. She talked to me about it at the time and made me promise her this would never be me no matter what happened. I was lucky enough to have an amazing support system of people around me and so that never was me but if the Trauma to Art community can prevent that from happening by providing an outlet than I think we would all feel very proud and accomplished. That story is one of the reasons Trauma to Art will publish an annual yearbook to distribute to schools for free. Everyone is welcome at Trauma to Art because I think a well-rounded age disparity is essential for any learning environment but young people are the ones to focus on, in my opinion.

For more information regarding Trauma2Art and how to get involved, please visit www.trauma2art.com.

Wednesday, March 30, 2011

"Hallelujah" live & How it Felt to Sing it



"American singer-songwriter Jeff Buckley, inspired by Cale's earlier cover, recorded one of the best-known[10] versions of "Hallelujah" for his debut album Grace in 1994.

In 2004, Buckley's version was ranked number 259 on Rolling Stone's "The 500 Greatest Songs of All Time".[1] The same year Time called Buckley's version "exquisitely sung," observing "Cohen murmured the original like a dirge, but ... Buckley treated the ... song like a tiny capsule of humanity, using his voice to careen between glory and sadness, beauty and pain... It's one of the great songs."[11]

In September 2007, a poll of fifty songwriters conducted by the magazine Q listed "Hallelujah" among the all-time "Top 10 Greatest Tracks" with John Legend calling Buckley's version "as near perfect as you can get. The lyrics to Hallelujah are just incredible and the melody's gorgeous and then there's Jeff's interpretation of it. It's one of the most beautiful pieces of recorded music I’ve ever heard."[12] In July 2009, the Buckley track was ranked number three on the 2009 Triple J Hottest 100 of All Time, a listener poll held every decade by the Australian radio station Triple J."[13]" - via Wikipedia

I agree. Completely. With all those quotes listed above this very sentence.

With that said, I performed at Arlene's Grocery in New York City this past February. It was my NYC debut ... and I played it on the same stage Jeff Buckley once played on back in 1997. He had a tremendous influence on the music community with his career that was cut far too short.

Earlier this month I had a little spill, leaving my right (dominant) arm with a severely sprained ligament hindering my arm pretty stiff and sore. As a result, I knew the show must go on. I had a performance to play. Producer Paul Derlunas joined me for the ocassion, which allowed me to focus on my singing.

My performance this past Tuesday was the first time I ever sang solo live, on-stage in front of an audience without playing guitar at the same time.

It was exhilarating. I felt like Rachel Berry for a minute. That was fun.

Sunday, December 5, 2010

Ron Santo: A Picture of Courage

Pictured: Ron Santo (on the left) at Nationals Park, August 2010.

What can someone who never saw Ron Santo play third base actually say about his playing? The truth is I can't speak true justice of the man's time spent around the horn of Wrigley Field and America's other Major League ballparks. What I can shed some light on is the effect Santo had on Chicago, Cubs fans, the Cubs, and Major League Baseball.

When Santo's passing was announced on Friday morning it came as a shock to all. Santo, of course, has not been in the best of health over the past few years (this past year especially) due to complications with bladder cancer and diabetes. But here's the thing about Ron Santo -- he might have been sick but nothing ever stood in between him and his beloved Cubbies.

Wrigley Field die-hards know that stand-fan Ronnie Woo-Woo may make a run for the number one spot on the Cubs Fan list but Santo was different. Santo saw the Cubs from all possible angles. Santo was and still is the ultimate Cubs fan.

The last broadcast I ever heard Santo make was Lou Pinella's final game as Cubs manager against Bobby Cox and the Atlanta Braves at Wrigley Field on August 21, 2010. My family friends shared their tickets with me for that day but I was forced to leave after the seventh inning (against my will ... I have never left a Cubs game early before then and never will again ... that's just something Cubs fans do not do ... we do NOT leave baseball games early whether our team is winning, losing, or playing ... that's just a fact). Since I left early in order to take the 1.5 hour trip to Michigan City, In. to visit my grandpa, my mom and I turned on WGN Radio in the car.

The Cubs went on to win the game (I think) and Ron Santo gave his usual commentary. At times it sounded as if he was losing hope, at other's he was as positive as ever. One thing was obvious -- his emotional ups and downs were defined by the Cubs play at any given moment.

The morning Santo passed away, floods of Twitter messages and memory-filled editorials consumed the online newspapers of Chicago and blog streams of Major League Baseball. Sports writers of every American quadrant shed a tear for baseball's loss. Why? Because Ron Santo was a unique character whose personality has yet to be matched by any player of the modern era.

Photo from Chicago Now

It's impossible to count how many articles since Santo's passing have referenced the infamous "heel click" that turned into the Cubs' "victory dance" that the Mets seemed to hate so much.

That heel click always reminded me of Bert Lahr's interpretation of the Cowardly Lion in the 1939 version of The Wizard of Oz.

Ronnie had all the courage in the world even in the face of impending death and medical difficulties. The Cubs and baseball is what kept him alive all these years. His devotion was as undying and immortal as any incarnation of an all mighty religious god.

Friday night I found it necessary to commemorate this man's memory with drinks along side the only other Cubs fan of a friend I have in Washington, D.C. We sipped scotch in his honor all while talking about how Jim Hendry needs to go if the Cubs want to start at a shot for a World Series and how the Rickett's asking the Illinois government for money to "improve Wrigley" is a shameful act of greed.


[Side Note: Dear Rickett's family, If you can't pay for the work you want done then you shouldn't have bought the team in the first place. Maybe if you paid more attention to the product on the field as opposed to adding macaroni art to the streets of Chicago the people buying tickets might fill their seats instead of leaving them empty.]

There has been some talk of whether or not Santo should have been inducted into the Baseball Hall of Fame. While the fan inside me wants to say, "Send the man to the Hall," the baseball writer in me says:
"He's right where he belongs -- he's got a retired number by the Cubs at Wrigley Field and will always be remembered as the perfect combination of Harry Caray, Ernie Banks, and Ronnie Woo-Woo. He's got the announcer's spirit and antics like Caray, the player's devotion and understanding like Banks, and the fan's perspective like Woo-Woo. He doesn't need the Hall. He's already in a Hall class all his own."
Santo didn't want to be inducted into the Hall after passing away if he wasn't "good enough" to be inducted while he was alive. As weird as it sounds, I hope his wishes are held as sacred.

On a personal note, I was only ever in the same place as Ron Santo within a few feet of each other one time in my entire life (as far as I know). This past summer was my first on the Major League Baseball beat as the Nats writer for WeLoveDC.com. The Cubs came to town for a three-game series in August and Ron Santo was there with them.

I made it a point to be on the field for batting practice just to catch a glimpse of the Cubs legend in passing. The final game of the series he stood on the warning track during batting practice at Nationals Park chatting to buddies he's made throughout the years including the Cubs beat writers, Cubs players, Cubs players turned Nats players, and Nats coaching staff he knew from back in the day. He walked slowly atop his two prosthetic legs but what I saw was a man who never let himself be defeated. Instead, he defeated the odds by staying alive all these years.

So here's to the Chicago Cubs for keeping a legend's heart strong enough through the good and the bad because of a little unconditional love.

Rest in Peace, Ron Santo. May Cubs fans and players for decades to come know the passion you felt for this team and the wonderful feeling baseball can create in the hearts of the average person. Your courage is and always will be an inspiration.

Sunday, November 21, 2010

Rachel Levitin Music: A Rock Star Moment

There are very few moments in my life that I've felt like a true rock star ... even if just for a little while.

Those moments include: the first time I ever played a song I wrote in front of an audience of people my own age (at age 14), when I recorded my first album of original music (at age 18), when I played a VIP reception for a D.C. film festival in which Rider Strong aka Shawn Hunter from Boy Meets World was an attendee (at age 21), when I opened for my high school friends Filligar at a D.C. rock club (at age 22), when I played on stage with Big Sam's Funky Nation live on trumpet (at age 23), when I auditioned for American Idol (at age 23), and then tonight ... at age 23.

What happened tonight? Well earlier today I was working on my review of the Trans-Siberian Orchestra's concert last Thursday at the Verizon Center in Washington, D.C. at a Starbucks near my apartment. When I was placing my coffee order I perused the limited C.D.'s for sale at the counter and found the new compilation record of Norah Jones' top collaborations between the years of 2001 and 2010.

Now me and Norah, we go way back. I was once a skeptic of her talents. I didn't like her much. I thought "Don't Know Why" was a boring version of "Yellow" by Coldplay but with a girl singing instead of a guy. Then I wised up and listened to the Grammy's. Jones earned five Grammy Awards in 2003 including Album of the Year, Record of the Year and Best New Artist.

Needless to say, I bought her debut album "Come Away With Me." Upon further review I deemed it worthy of all of the Grammy's love and adoration.

Later that summer I spent eight weeks at the world-renowned Interlochen Center for the Arts studying Jazz Trumpet. Interlochen also hosted multiple touring concert series' throughout the summer with big-name acts like Hootie and the Blow Fish, Josh Groban (an Interlochen summer alumni) and fellow Interlochen summer alumni Ms. Norah Jones.

The summer of 2003 was Jones' stopped at her music alma mater -- she was also a Jazz student there -- to perform during her summer tour. Since she was an alumni, Jones offered to do a question and answer session with a select group of interested students before the evening's public ticketed event (which meant outsiders, not just students and summer faculty could attend).

I, being the big fan and music nerd I was (...by the way, I still am, but that's besides the point), drafted a thoughtful and insightful question asking what it was like as a woman songwriter and performer in a male-dominated genre of the music industry. My question was selected and I got to ask it at the Q&A.

Just hours before that Q&A, I ran into Jones after my rehearsal and her sound check. Lucky for me I had my guitar strap with me. She signed it after answering a question about being a songwriter and making music theory jokes that including talk about mixolydian mode.

Rachel Levitin and Norah Jones - 2003

Long story short -- my appreciation for Norah Jones was born in 2003 and still exists today. When I bought the "...Featuring Norah Jones" compilation album today I did the first thing I always do when I buy a physical C.D. -- open the C.D. jacket and read the song details.

I love knowing who wrote the song, when it was first performed if it's not an original, who's playing what instrument, how many vocalists are there, what sort of instrumentation is being played, and any other detail that's provided. So I read through the listing on this album (see picture below).



Rachel Levitin and Big Sammie Williams of Big Sam's Funky Nation - 2010

That's when I saw Big Sam's name on track six "Ruler Of My Heart." He was the trombone player for the Dirty Dozen Brass Band before starting his own band. He's performed with Norah Jones. I've performed with him. Therefore -- thanks to the transitive property -- I just had a mini-rock star moment.




...Not a bad way to end the weekend.

Sunday, October 31, 2010

A Little Laughter Makes Everything Better: The Rally to Restore Sanity and/or Fear


When I decided to attend American University for college over six years ago, one of the first things my dad said to me was, "You'll get to see a Presidential Inauguration! How cool!"

As an individual who has never been too into politics and sees our democracy more as something that tears people apart than brings them together, the whole "seeing a Presidential Inauguration" didn't seem too cool at the time. The history nerd dwelling deep inside my cerebral cortex, however, was running rampant with eager excitement.

"A chance to see living history," my inner-self proclaimed, "sign me up!"

Unfortunately, my father passed away days before President Obama's inauguration during my senior year of college and his funeral was on Inauguration Day. I never saw the inauguration live like my dad said I would. Instead, I spent that special day in Chicago with the man who told me how cool my first presidential inauguration in DC was going to be -- while at his funeral.

The Rally to Restore Sanity and/or Fear was my first foray into attending a major event on the National Mall. For several of my friends, this was far more fun than the historic inauguration due to miserably frigid winter temperatures during Obama's speech. For me, it was the perfect introduction to how many people in this country actually know how to chill out and have a good time.

And to think I almost didn't go because I was tired. That seems so silly in retrospect:

It took nearly an hour and a half to commute from Tenleytown in NW DC to reach the site of the rally. After three packed-to-capacity rail cars passed the hundreds of people impatiently waiting to step foot onto a train, my friends and I hopped on a train headed toward Maryland, got off four stops later, and then waited about another 20 minutes for a train back into the city. Along the way, we made a few “friends” from out of town. One even over heard me asking my friends for a piece of gum and a complete stranger asked me if I would like a piece. Everyone was in such high spirits. I think Jon Stewart’s goal of getting America to chill out a little was the tone set for all in attendance. I’ve never seen more people in one place in my entire life. The National Mall was a sea of people that felt like a never-ending mosh pit. There was an overall jolly atmosphere surrounding Washington. Everyone, as far as I could tell, was having fun. I think that’s the most important thing to take away from the rally itself — that we really can all get along sometimes if we just take a minute to chill out and have a good laugh.
-- Excerpt from "We Love Rallies: We Love DC Reactions to the Rally To Restore Sanity" on We Love DC.






After trying to push our way through the crowd for over an hour, my friends and I fled the mall and walked through the streets of Washington with wonder while people-watching for the rest of the day.

Thanks Comedy Central for entertaining District residents and the country this weekend, it was a nice reminder to relax and enjoy the fact that we can even host such rallies. The fact that our country and government allows for such a farce of a rally to even occur is living proof that we're pretty awesome here in America.

Saturday, October 30, 2010

On Idina Menzel...

I had the privaledge of attending Tony award winner Idina Menzel's opening show of a three-day set worth of Pops performances with the National Symphony Orchestra at the Kennedy Center's Concert Hall Thursday night.

For both Menzel and myself, it was our second time ever setting foot in the Kennedy Center ... well my second time as a patron and Menzel's second time as a performer. Her first time was to pay homage to her idol Barbra Stresisand when she was honored for her for lifetime achievement in the performing arts. My first time was for an opera during college as part of my music minor.

I've taken the liberty of reveiwing the evening on We Love DC and my full column can be found there, however, I wanted to take a moment to mention Ms. Menzel's greatest attribute -- her gratitude.

Her voice and stage presence speak for themselves. She is a musical force to be reckoned with and is one talented fire-cracker of a woman. She's funny. She seems slightly scattered brained but in a good way. And even with all of her professional success and good family life, she still manages to not only stay grounded but express her gratitude with sheer sincerity.

Musical performance aside, one memory I will always associate with the evening is her extending her deepest gratitude for showing up and supporting a girl whose life long dream was to sing.

She thanked her mom for playing babysitter for her while on this trip to D.C. Menzel and husband Taye Diggs have a 13-month-old son named Walker who accompanied mommy and grandma to the District this week. She even dedicated her encore performance of "Tomorrow" from Annie to dear old mom. If that's not saying "Thanks" then I don't know what else could.

She sang some of the songs written with Diggs while taking care of the baby as an "I love you" to Walker.

She credited her successful career to the late Jonathan Larson who wrote Rent (which was Menzel's professional debut on Broadway).

She spoke more than highly of her husband. It sounds like those two have something really special and she knows how lucky she is to have him in her life.

And she sang a rendition of "For Good" (from Wicked) that brought tears to my eyes:
The evening’s finest moment wasn’t an expected show-ending rendition of Wicked’s “Defying Gravity” or an encore performance of Annie’s “Tomorrow.” Both were fantastic routines with a genuine voice backing up the song’s sentiments, but Menzel took it upon herself to garnish the night with a spine-tingling surprise gift for her audience.

Before the orchestra started “Defying Gravity,” Menzel removed her in-ear monitors. “I think I can do this without these in,” she mumbled. Then she put her microphone down.

No one knew what she was trying to do. Conductor Marvin Hamlisch looked confused. Menzel appeared to be nervous. It looked like she was ready to exit the stage. Then, she opened her mouth and started singing.

“I’ve heard it said that people come into our lives for a reason,” she began. Those are the opening lines to a song from Wicked titled “For Good.” It is a heart-wrenching song describing the relationship between the witches of Oz.

Never in my life have I heard such an organic performance from a singer of her caliber. Menzel, in that moment, was mesmerizing. Her voice filled the room without any assistance from a microphone. She’s that powerful of a musical force.

Some people say “Thank You” by filling out generic cards they bought at a CVS Pharmacy. Idina Menzel says “Thank You” by singing a song that means the world to her a Capaella at the Kennedy Center.

For that, Ms. Menzel, this singer/writer would like to say just one word: thanks.
-- Excerpt from "We Love Music: A Date with Idina Menzel & The NSO Pops" seen on We Love DC.
Idina Menzel strikes me as the kind of person I have always striven to be. Grateful, happy, stressed by work but all the better for it because hard work is always worth it, in love with what I do for a living, singing, surrounded by music, and always working on making myself a better person.

Based on her presence at the Kennedy Center Thursday I feel confident in saying Idina Menzel is a treasure in the musical community because she means every word she sings and is a model human being. I'm sure she's flawed, as are we all, but there's really just something special about Idina Menzel.